One explanation for Aftermath’s popularity at home stares an American reader in the face. The book contains relatively few pages about Jews—not to mention gays, Roma, left-wingers, White Rose survivors or anti-Hitler exiles (with the exception, in the latter case, of some passages about the courageous Thomas Mann.) In short, the war’s much-written-about innocent victims—those forced to suffer before the aftermath—are largely absent. From the perspective of German readers, it’s a book almost entirely about 'us.' Perhaps they felt, given the endless shelves of tomes on the Holocaust, that it was about time.