None of this is exactly new: it has long been mythologised. Authorised by Taylor’s family, Andersen Brower has been granted access to letters and intimate records, but these yield incidental gossip rather than significant revelations. Nor is anything of critical interest said about the relevant movies, several of which are simply ignored. Brower’s showbiz prose style – too many clichés, too many vacuous quotes – doesn’t help either.