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The I Index

Sara Lippmann,
The Washington Post
In a world increasingly lived online, there is a grounding comfort to Jo Ann Beard’s refreshingly analog voice. This isn’t to say her writing isn’t relevant or that her language doesn’t wow. Beard’s power comes from phrasings and insights that aren’t just screaming for likes. Few writers are so wise and self-effacing and emotionally honest all in one breath.
Ellen Akins,
The Star Tribune
Beard is so good at what she does.
Leah Hager Cohen,
The New York Times Book Review
... ferocious.
Catherine Hollis,
BookPage
Beard’s prose is never more intensely vibrant than when describing death.
Dan Kois,
Slate
... consistently hair-raising.
ELLIOT FRANK,
The Chicago Review of Books
... despite these differences in form, each piece feels like it belongs to a category of writing that is uniquely Beard’s own.
Harvey Freedenberg,
Shelf Awareness
... a set of diverse pieces that sometimes challenge the boundary between fiction and nonfiction but that are consistent in the intensity of their perception and their vivid prose.
Donna Seaman,
Booklist
Beard writes about pain, cancer, death, divorce, violence, and bizarre alignments, subjects one may prefer to avoid, but Beard’s cascades of breathtaking detail are irresistible as she evokes the tangible world, the inner realm, and life’s welter of the unexpected and the inevitable.
Allison Theresa,
Bookreporter
Through nine pieces --- wildly different in genre, length, topic and tone --- she unravels the mysteries of experiencing time through moments of change and crisis. After a year defined by such moments, these essays are a compassionate companion.

Publishers Weekly
This imaginative and precise collection shows Beard at her best.

Kirkus
... gripping and meditative.