At its best, the prose shines with humor, vulnerability, and poignancy. Particularly noteworthy is the chapter detailing Gutowitz’s experience with sexual assault, which is written in the form of a letter to her past self, both formally inventive and searingly personal. Unfortunately, the author’s tendency to consistently center Whiteness and to avoid intersectional analysis makes the book feel somewhat superficial and outdated. A witty essay collection about pop culture and queerness that privileges Whiteness to its disadvantage..