The I Index

Zan Romanoff,
Los Angeles Times
Elaine Castillo’s How to Read Now begins with a section called 'Author’s Note, or a Virgo Clarifies Things.' The title is a neat encapsulation of the book’s style: rigorous but still chatty, intellectual but not precious or academic about it.
Jane Hu,
New York Times Book Review
... an even more explicit meditation on questions of inheritance, working through Castillo’s responsibilities not as a writer, but as a reader. Its eight chapters engage the readers who have most informed her own practice.
Anna Nordberg,
San Francisco Chronicle
Elaine Castillo dismantles the notion that art should be separate from the artist, because our understanding of where a story comes from, and who is telling it, matters.
Lily Meyer,
The Nation
... bracing.
Kathy Chow,
The Los Angeles Review of Books
Castillo is too shrewd a critic of identity politics to fall prey to such traps of liberal multiculturalism.
Mark Athitakis,
On the Seawall
... bracing, informed, and often funny.
Donna Seaman,
Booklist
Provocative, deeply analytical, and powerfully expressed.
Kelly Blewett,
BookPage
In critical essays that examine everything from fantasy novels to award-winning classic literature, Castillo outlines the limitations of America's reading culture. Her voice is eviscerating, dramatic and funny as she lays out the ways that universalizing the white experience reduces writers of color to teachers of historical trauma and nonwhite cultures.

Publishers Weekly
Brilliant and passionate.

Kirkus
Not just thoroughly researched, these essays are also wildly engaging, with a biting and appropriately scathing tone and plenty of humor. Refreshingly, the humor never distracts from the urgency of the prose or incisiveness of the analysis.
Terry Hong,
The Christian Science Monitor
Boundless erudition and eloquent exasperation define Elaine Castillo’s debut nonfiction, How to Read Now, an incandescent collection of essays that provokes and discomfits, but ultimately engages, edifies, and thoroughly entertains.