Als writes to reconcile the twin Princes and finds it nearly impossible without the intervention of a third interlocutor, a quieter love. I close this book only to loop it in search of the center of its knot of nerves and detachment. It’s a song, a ballad with aching techno undertones and a popular thread we can all recognize—projecting silence onto the thoughts of the dead and famous, who, when we pin them just right, are interchangeable, the carrion of our most frightening desires, souls we must devour to hide the fear that will otherwise devour us. We appropriate those who we deem pinups so we don’t have to witness what they tell us when we let them speak backstage. Prince is the commodity or pinup who speaks and combats the fantasy with ideas of his own. Als is able to allow that psychic distance between him and his would-be lover here, but Prince can’t quite achieve permission to not be one single being. He’s an idea propelling the culture forward before he’s a man.