The I Index

Joan Morgan,
The New York Times Book Review
Both the music and the best writing about it embody the same credo: You either go hard or go home. Joe Coscarelli, a seasoned music journalist at The New York Times, has opted for the former. And the world of music criticism is better for it.
Jack Hamilton,
The Atlantic
... not really a history of Atlanta’s emergence as a hub of rap, and doesn’t try to be one. Readers hoping for a beat-by-beat account of how the city became the epicenter of 21st-century hip-hop—tracing the lineage from TLC and OutKast through Ludacris, Young Jeezy, T.I., and Gucci Mane, and culminating with Future and his contemporaries—will have to keep waiting.
Alessandro Cimino,
Library Journal
Coscarelli beautifully describes the push-and-pull magnetic triangle that engulfs rap, Atlanta, and generational trauma. Coscarelli’s compelling and insightful book resulted from four years of research, during which he conducted more than 100 interviews and was totally immersed into Atlanta’s rap scene. Atlanta is as central a character as the artists in this narrative, but it’s also the glue that holds it all together—the backdrop against which stories of success, demise, historical wounds, pride, and legal proceedings play out. Coscarelli captures the streets of Atlanta, charts the trajectory of the city’s rappers (including established stars like Migos and Lil Baby, and lesser-known artists like Lil Reek and Marlo), and delves into the quest for a way out of the pain-feeding-pain cycle encompassing some of its neighborhoods. Some of these stories have uplifting endings, while others culminate in untimely loss (incarceration; death), restarting the traumatic loop.
Kathy Sexton,
Booklist
Coscarelli was embedded in the Atlanta scene for several years, making his storytelling feel both historic and immediate as it places the reader right there with him. Fans of behind-the-music stories will be glued to the page..
Stephen Kearse,
Bookforum
Part scene report, part business profile, Rap Capital leverages intimate access to some of the city’s most visible talent and power players to chronicle how the city’s oft-mythologized music gets made and sold.

Publishers Weekly
... pulsating.