Hendy...does set the scene rather well of these three influential figures at the dawning of what would turn out to be this country’s biggest and most significant cultural institution. The reader is prepared for a dramatic tale of innovation and determination as the trio succeed in establishing their new business amid a hostile and powerful Fleet Street resistance. Yet no sooner does Hendy introduce these characters than they largely slip out of the narrative. Instead, an array of other functionaries appear and pretty soon Lewis is gone, the BBC has become a corporation and listening to the radio has shifted from an obscure hobby for the wealthy to a national pastime. Exactly how that transformation takes place is lost in an abundance of information that never quite forms into a dynamic narrative. The book is an authorised history, insofar as the BBC has made its archives available to Hendy, though, as he emphasises, without any editorial control or influence. Yet there is nevertheless a sense of obligation in the writing, a need to cover the ground, even when it’s not that interesting or new.