The Dawn of Everything, chockablock with archaeological and ethnographic minutiae, is an oddly gripping read. Graeber, who did his fieldwork in Madagascar, was well known for his caustic wit and energetic prose, and Wengrow, too, has established himself not only as an accomplished archaeologist working in the Middle East but as a gifted and lively writer. A volume of macrohistory—even of anti-macrohistory—needs to land its points with some regularity, and Graeber and Wengrow aren’t averse to repeating themselves. But for the most part they convey a sense of stakes and even suspense. This is prose it’s easy to surrender to.