Belc breaks from conventional memoir formulas into non-linear narratives, plural and second-person addresses, and forms that resemble lists, as if to show that memoirs, like families, do not have to be structured a certain way just because the establishment deems it so. The second-person addresses are at times written to Belc’s partner Anna, at times to his gestational child Samson, and at times to his own mother. Sometimes, it seems Belc is writing to himself, contemplating, for example, his unwanted breasts, those same organs he uses to nourish Samson.