Srinivasan is one of those philosophers who is, first and foremost, an exceptional prose stylist – an exemplar of what academic writing, specifically, both could and should be. Her writing is unadorned and perfectly-tuned, like listening to someone play the piano incredibly well: at times her sentences resonate with an almost luminous clarity, reducing some horrendously tangled rat-king of philosophical concepts and material concerns to an insight which beams out perfectly in the relations between her paragraphs.