A new book by Michael Gorra, The Saddest Words: William Faulkner’s Civil War, traces Faulkner’s literary depictions of the military conflict in the nineteenth century and his personal engagement with the racial conflict of the twentieth. The latter struggle, within the novelist himself, is the real war of Gorra’s subtitle. In The Saddest Words, Faulkner emerges as a character as tragic as any he invented: a writer who brilliantly portrayed the way that the South’s refusal to accept its defeat led to cultural decay, but a Southerner whose private letters and public statements were riddled with the very racism that his books so pointedly damned.

... rich, complex, and eloquent.

In spending relatively little time with the literary aspects of Faulkner’s novels — the astounding characterization, his brilliance with metaphor and his dazzling descriptions of perception and physicality — Gorra misses an opportunity to tell a fuller story of the sublime interplay of aesthetics and theme in Faulkner’s work. This is doubly unfortunate because Gorra writes so beautifully when he turns his attention to Faulkner’s artistry.

... spectacular.

... provocative and engrossing.

Gorra could not have foreseen our current moment when he began this work of biography, history and literary criticism. Yet his extended meditation on whether and why we should continue to read the work of a privileged White novelist from Jim Crow Mississippi often seems to describe exactly where we are.

... transcendent.

... powerful.

... [a] meticulous works panning literary critisicm and history.

...penetrating and elegantly written.

Gorra’s shifts among biography, Civil War history, and literary analysis can make readers feel whipsawed, but they’re always engaging and purposeful.