The Wager is unadorned, almost pure, horror-filled plot, without the usual Grannian first-person moments, a tightly written, relentless, blow-by-blow account that is hard to put down, even as there are sometimes frustrating narrative gaps, a result of the limits of nonfiction grappling with 280-year-old events. For all the hours we spend with Cheap, Bulkeley and the others, they remain inaccessibly distant..