Rapturous.

As Horn narrates the various experiences and encounters of their life, they construct a world where fluidity between meanings, between the human world and the natural world, between ourselves and other people, and between our conceptions of who we are and who we should be is not seen as dangerous.

Horn’s sometimes profound, sometimes baffling autobiographical essays have in common a near obsession with water, aquatic life, and aquarium.

The complexities of a trans identity and contemplations of aquatic life provide the pulsating current to these ruminative essays.

Shaped like a discursive, commonplace book, this is memoir as creative process.