... suggests that the car has finally left the road, fallen apart, burst into flames and taken several other vehicles with it. The narrative of the book, rebarbatively cast in the third person, is episodic, freewheeling and associative. It’s also marked by a weakness for supposedly ironic cliches, irritatingly portentous ellipses, the repetition of advice bequeathed to him by his mother and a clumsy habit of attempting to lend his story temporal texture by deploying allusions to (and quotations from) contemporary music and culture. It is also self-indulgent, self-aggrandizing and pyrotechnically mean-spirited.