The I Index

Michael Prodger,
The Times (UK)
Onno Blom’s biography of the young Rembrandt plays this game of artistic nature versus nurture to fascinating effect. It is a book that sets itself a conundrum: 'How did Rembrandt become Rembrandt?'.
Reagan Upshaw,
The Washington Post
Blom is an indefatigable researcher, and he has made every effort to inspect any scrap of paper that documents Rembrandt’s existence between his birth in 1606 and his final departure for Amsterdam in 1631.
Sue Prideaux,
New Statesman
The book’s strength does not lie in art historical investigation. It is at its best when describing the city of Leiden and providing a wide background panorama to Rembrandt’s early life.
Jonathan McAloon,
Financial Times
Blom reconstructs a 17th-century Leiden that feels lived in by the painter and the author at once.
Andrew Lambirth,
The Spectator (UK)
It is heavily illustrated, with 100 colour photographs placed throughout the text, in a neat, reader-friendly format. Unfortunately, at least three full-page digital images have been enlarged beyond their capacity, resulting in an ugly break-up of legibility.

Kirkus
Drawing on the significant resources of the Rembrandt Research Project, Rembrandt Documents Project, and the multivolume Corpus of Rembrandt Paintings as well as histories and archival material, Blom offers an assured, discerning biography.

Publishers Weekly
Art critic Blom (The Scar of Death) employs Rembrandt’s early works and the history of his hometown of Leiden, Netherlands, to trace the Dutch painter’s artistic evolution from student to legendary master in this thoughtful, illuminating work.