The I Index

The Reason for the Darkness of the Night: Edgar Allan Poe and the Forging of American Science

Bottom of the pile

18

/100

I Index Overall Rating

Readers

19/100

Critics

17/100

Scholars

N/A

Author:

John Tresch

Publisher:

Farrar, Straus and Giroux

Date:

June 15, 2021

Shining a spotlight on an era when the lines separating entertainment, speculation, and scientific inquiry were blurred, Tresch reveals Edgar Allan Poe's obsession with science and lifelong ambition to advance and question human knowledge. Even as Poe composed dazzling works of fiction, he remained an avid and often combative commentator on new discoveries, publishing and hustling in literary scenes that also hosted the era's most prominent scientists, semi-scientists, and pseudo-intellectual rogues.

What The Reviewers Say

Michael Dirda,
The Washington Post
Tresch packs quite a lot into his book—there’s even an ingenious deconstruction of the title page of Poe’s nautical novel, the macabre and tantalizingly enigmatic 'Narrative of Arthur Gordon Pym of Nantucket.' Still, prospective readers of The Reason for the Darkness of the Night should be aware that it isn’t a sustained, detailed exposition of Poe’s life so much as a rich assemblage of biographical vignettes, brief story analyses and mini-essays on the era’s scientific beliefs. In general, Tresch’s overall thesis—that Poe’s 'deep familiarity with science was the fulcrum on which his thought balanced'—seems unarguable, given the presence of the 'ratiocinative' in so much of what he wrote. Yet, ultimately, it is Poe’s other aspect, his ability to convey monomaniacal intensity, verging on hysteria, that we are drawn to, his gift for expressing what D.H. Lawrence floridly called 'the prismatic ecstasy of heightened consciousness.'.
Colin Dickey,
The New Republic
Rather than feeling like a dive into minutiae or a specialist’s niche, Tresch’s approach manages to open up the world of Poe’s writing in an unexpectedly fascinating way. What emerges is how Poe’s interest in—and sometimes misunderstanding of—science drove some of his greatest works of horror. Anyone already familiar with Poe’s life will see all the same beats hit here.
Bill Kelly,
Booklist
Tresch’s luminous study situates Poe’s life and work in the context of the mid-nineteenth-century scientific revolution.

The Wall Street Journal
Mr. Tresch keeps to a steady course. He approaches Poe’s uncanny lecture—and its published version, the prose poem 'Eureka'—not as a crazy fever dream, but as an inspired series of leaps from a firm grounding in fact.