A memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss, who, from the early years, was a member of the group that shifted the center of the art world from Paris to New York.
What The Reviewers Say
Alexandra Jacobs,
The New York Times
It’s been polished into a glowing jewel of a book by several editors.
Ellen T. White,
The East Hampton Star
... the New York City of the Abstract Expressionist era explodes into a series of vivid canvases. Each paragraph offers a colorful phrase or observation that captures the moment. In her always entertaining stories, Schloss conjures up its iconic artists, composers, and poets while chiseling their legends down to human scale.
Jamie Hood,
Vulture
... an intricate micro-history of an unprecedentedly energized and interconnected artistic community: that of New York’s postwar loft scene, where Schloss too found herself living, working, and family-making for nearly two decades.
Tim Keane,
Hyperallergic
Schloss’s story isn’t—as a conventional autobiography would tell it—straight history. Instead, using an approach adopted by Modernist art-world memoirists like Gertrude Stein and Virginia Woolf, The Loft Generation is nonlinear and associative.