A user's guide to opera, Matthew Aucoin describes the creation of his new work, "Eurydice", and shares his reflections on the past, present, and future of opera.
What The Reviewers Say
Willard Spiegelman,
The Wall Street Journal
... neither dry-as-dust scholarship nor gushing, gossipy opera dish, although it packs plenty of historical knowledge, stylistic analysis and enthusiastic personal details into its pages.
Wynne Delacoma,
The American Scholar
Aucoin happily wrestles with multiple impossibilities in this highly personal book. In vivid, granular detail, he explores composers and operas he loves.
John Domini,
The Boston Globe
... the second chapter, 'Primal Loss,' offers a profound meditation that ends with Harrison Birtwistle’s The Mask of Orpheus.
Carolyn Mulac,
Booklist
Aucoin speaks eloquently from his own experience as composer, conductor, writer, and pianist.