A sociological study of reality TV that explores its rise as a culture-dominating mediumâand what the genre reveals about our attitudes toward race, gender, class, and sexuality.
What The Reviewers Say
James Wolcott,
The New York Times Book Review
A professor of sociology at Lehigh whose previous books have studied commuter marriages and the professional dominatrix — excellent preparation for parsing the adventures of The Real Housewives of Beverly Hills — Lindemann contends that, by holding up a mirror to society, reality TV has much to impart once we get past the histrionics.
Ilana Bean,
Chicago Review of Books
This is a sociology book for a general audience. Lindemann breaks down concepts deftly and lightly. The research never prevents the book from being enjoyable to me as a lay reader, although I also don’t have the credentials to evaluate or respond to it. Lindemann combines foundational sociology texts with pop-culture references, and there’s a visceral delight to seeing Émile Durkheim paired with My Strange Addiction.
Emily Yahr,
The Washington Post
Lindemann argues quite convincingly that despite people’s knee-jerk mockery of reality TV or reflexive embarrassment at being 'caught' as a viewer, studying the genre gives us a better understanding of our world and ourselves.
Kristine Huntley,
Booklist
[A] deep dive into the most-talked about shows of the last three decades.