Slate film critic Dana Stevens explores the life of actor Buster Keaton as one encapsulating the ideas and mores of an era, considering concurrent developments in entertainment, journalism, law, technology, the political and social status of women and the popular understanding of addiction.
What The Reviewers Say
Adam Gopnik,
The New Yorker
Excellent.
David Kamp,
The New York Times Book Review
Stevens clearly adores her subject, describing him as a 'solemn, beautiful, perpetually airborne man.' Camera Man is less a traditional biography than a series of reported essays about the progress of the 20th century with Keaton at their center. Sometimes Stevens ventures too far afield.
Andy Crump,
Paste
Dana Stevens shows us she isn’t screwing around as early as page six by unpacking the year 1895.