A biography of one of the twentieth century's most respected painters, Helen Frankenthaler, as she came of age as both an artist and a woman in the vibrant art world of 1950s New York.
What The Reviewers Say
Christine Smallwood,
Harpers
Nemerov, the chair of the art and art history department at Stanford University, confines himself to the period of Frankenthaler’s youth. His book opens in 1950 with a costume party where Frankenthaler, then unknown in the art world, is dressed as Picasso’s Girl Before a Mirror, and ends with her 1960 retrospective at the Jewish Museum, when she was thirty-one years old. This was a dazzlingly productive era with obvious appeal for the scholar and reader. It was the decade in which Frankenthaler pioneered a daring and influential process of 'soaking' canvases with diluted paint poured directly from a can, combining these pools of color with loose drawings that remained tethered to reality even as they eschewed representation.
Jessica Ferri,
Los Angeles Times
Fierce Poise focuses on the artist in an unconventional way: It covers the years 1950-60 in 11 chapters, each jumping off a specific date during one of those years. The resulting book is lively but short, skimming the surface of Frankenthaler’s work.
Elaine Margolin,
Los Angeles Review of Books
Alexander Nemerov never pretends he’s an objective observer in his masterful new biography.
Julie Phillips,
4Columns
In Fierce Poise, his slim, thoughtful, and admiring book charting Frankenthaler’s first decade as an artist, art historian Alexander Nemerov describes how early she found her creative path..