Twelve early pieces never before collected offer an illuminating glimpse into the mind and process of the iconic author.
What The Reviewers Say
Durga Chew-Bose,
The New York Times Book Review
In five decades’ worth of essays, reportage and criticism, Didion has documented the charade implicit in how things are, in a first-person, observational style that is not sacrosanct but common-sensical. Seeing as a way of extrapolating hypocrisy, disingenuousness and doubt, she’ll notice the hydrangeas are plastic and mention it once, in passing, sorting the scene. Her gaze, like a sentry on the page, permanently trained on what is being disguised.
Steffie Nelson,
Los Angeles Times
Reading Let Me Tell You What I Mean with an eye toward the shimmer, I believe it is possible to identify which pictures, crystalline and resonant, drew Didion closer and compelled her to string words together until the molecules manifested a new truth..
Heller McAlpin,
NPR
There's plenty of journalistic gold in Let Me Tell You What I Mean, Didion's new book of 12 previously uncollected essays. What's particularly salient is her trademark farsightedness, which is especially striking decades later.
Nathan Heller,
The New Yorker
... less a selected essays than a rejected essays, a director’s un-cut of her older work. Traditionally, this is the sort of collection squeezed out by itchy heirs after an author’s death.