Equal parts memoir, mystery, reclaimed screenplay, and travelogue, Reel Bay charts Jana Larson's unusual journey toward understanding another woman's life.
What The Reviewers Say
KAT SOLOMON,
The Chicago Review of Books
Throughout the book, the author refers to herself in the second and third-person, creating a sense of a semi-fictional world within the essay. The reader finds herself not just following along on Larson’s journey to understand Takako but also imagining possible pasts for the woman at the center of the mystery.
Andru Okun,
The Star Tribune
Fittingly, Larson softens the divisions separating genres by interweaving memoir, travelogue and screenplay. While unconventional, it works, and the result is a cleverly aberrant narrative structure dealing with the creative process and the difficult search for meaning.
Lucy Shapiro,
Arkint.org
A captivating blend of memoir, true-crime, meditation on women in film, and fantasy played out through the pages of screenplays that will never be completed.
Annie Bostrom,
Booklist
If the book, like Larson’s journey through Takako’s story, occasionally diverges or becomes difficult to follow, and offers few concrete answers, it seems that that is part of the point..