Atlantic Senior Editor Ronald Brownstein tells the kaleidoscopic story of one monumental year that marked the city of Los Angelesâ creative peak, a glittering moment when popular culture was ahead of politics in predicting what America would become.
What The Reviewers Say
Robert Allen Papinchak,
Los Angeles Review of Books
In his brilliant cultural history...Brownstein drops enough names to fill the once-massive Los Angeles phone book (remember those?), elicits memorable moments from several entertainment industries, and recalls political machinations across decades.
Madeleine Brand,
The New York Times Book Review
These are not new stories, of course — the brief window of early-1970s creative filmmaking, the Laurel Canyon music scene, the golden era of television. All have been relentlessly examined, artifacts of a once-mighty baby boomer civilization. What Brownstein has done is expertly knit the scenes together, giving the reader a plus-one invite to the heady world of Hollywood parties, jam sessions and pitch meetings, as well as a pointed demonstration of how culture can be made and unmade. By the time we approach the end of that fascinating year, it’s clear that the creative frenzy is about to come to a screeching halt.
Joseph Barbato,
New York Journal of Books
A sweeping account.
John Young,
The Pittsburg Post-Gazette
The challenge of capturing such an idyllic moment in print is intertwining so many stories while keeping each one clear and engaging. Brownstein manages this deftly. While initial chapters focus on one particular form of entertainment and center on the story of one or two artists, films or shows, later sections seamlessly blend various artistic and business endeavors along with politics. The conceit of covering 1974 month by month is the only contrivance that feels a bit forced.