A group portrait of artists Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, Jack Youngerman, and the street they all called home, Coenties Slip in the 1950s and 1960s.
What The Reviewers Say
Walker Mimms,
The New York Times Book Review
Tenderly researched.
Hamilton Cain,
The Wall Street Journal
Marvelous, crisply written.
Jackson Arn,
The New Yorker
Things that burn bright and vanish are easily idealized, but in The Slip...the critic Prudence Peiffer opts for a tricky blend of mythmaking and myth-busting.
Jennifer Krasinski,
Bookforum
Throughout the book’s first half or thereabouts, Peiffer advances her premise by weaving historical facts about the Coenties Slip into the artists’ stories, interjections that sometimes weigh down her narratives’ otherwise ascending arcs.