When Phil Klay left the Marines a decade ago after serving as an officer in Iraq, he found himself a part of the community of veterans who have no choice but to grapple with the meaning of their wartime experiencesâfor themselves and for the country. American identity has always been bound up in warâfrom the revolutionary war of our founding, to the civil war that ended slavery, to the two world wars that launched America as a superpower. What did the current wars say about who we are as a country, and how should we respond as citizens?
What The Reviewers Say
James Fallows,
New York Times Book Review
The rule of most writing — the shorter, the better — appears not to apply to Klay’s nonfiction. The half-dozen longest, meatiest and most probing essays and articles presented here share the lasting power of Klay’s acclaimed fiction. They were published separately, in different places over a decade-plus span. But read together they amount to an interwoven, evolving and revealing examination of Klay’s central topic: What it means for a country always at war, that so few of its people do the fighting.
Joe Stanek,
Los Angeles Times
Each of these pieces...is presented here as an independent struggle to find meaning on its own terms. Still, there is a sense of progression from one to the next. Klay is certainly no fan of the war machine — nor is he a pacifist — but he proves too wise a writer to fall for the trap of prescribing what others should think or feel about American military action. Instead, early essays in which he asks himself how he should feel about his experiences set the stage for bigger ideas.
Leslie Lenkowsky,
The Wall Street Journal
... solidifies Mr. Klay’s place among the best of an increasing number of writers who served in Iraq and Afghanistan and, while recounting their experiences in combat realistically and unheroically, raise profound questions about the nature of contemporary warfare.
Katherine Voyles and Nathan White,
Los Angeles Review of Books
Military service is one identity that implicitly undergirds much of his writing, but he also claims other identities.